Statement:

My practice explores the physicality of paint—how it behaves across time, space, and place. I approach painting as an immersive, process-led act that resists permanence and fixed form, embracing instead the ephemeral and experiential. Paint, for me, is not confined to the canvas; it is a sculptural medium that moves, settles, erodes, and transforms.

Each project I undertake is site-responsive and unfolds as a time-based event. These works are often ephemeral, participatory, and open to collaboration. I’m interested in how identity, material, environment, and context continually shape one another. In this exchange, I see paint as a universal language—one that speaks beyond the limitations of words.

My work frequently dissolves the boundaries between making, communicating, and including. I invite others into a shared, ever-evolving process of expression, where the act of creation becomes a collective and temporal experience.